With regard to Redshift, color management occurs in three key areas: texture import, the rendering space, and final output.

Fortunately, when you learn the ACES workflow in one program that knowledge applies to any other compatible program since the standardization ensures that OCIO and ACES consistently reproduce the same output across applications.

OCIO with ACES make this conversion process more apparent and deliberate which helps make color management feel more user controlled and flexible.

Developing a better understanding of color spaces and what can be lost when we convert from one space to another represents a large portion of the learning curve. For many it starts with being more aware of where our images are coming from and where they’re going to go. The good news is you don’t have to be a color scientist to make great use of a color management system. The CG industry has seen increased standardization over the years to the benefit of artists everywhere, in effect, ACES distills the work of hundreds of color scientists and filmmakers into a very manageable and artist friendly color workflow. It’s here where a color management system like OpenColorIO (OCIO) and a color workflow like the Academy Color Encoding System (ACES) comes into play. To an artist it might be more simply thought of as the system used to consistently deliver the colors and look that you want out of your work, this makes it one of the most important things to understand when setting up a scene.Ĭolor conversion is a very complex and delicate subject, you must be careful when moving from one color space to another so that the original look and quality of an asset isn’t lost in the process. Color Management is a term used to describe the conversion and control of color from one place to another, it is an inherently complex subject but the ultimate goal is to unify the process of color handling throughout a project and across devices.

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